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Showing posts with label courtly abandon. Show all posts
Showing posts with label courtly abandon. Show all posts

Monday, December 17, 2018

Love Thyself

This is, in part, about the word "fat," but mainly about allowing yourself to be beautiful.

I first discovered I was fat when I was 13 and my mother put me on a Slimfast diet. I was 5' 7" and about 130 lbs (which is actually underweight for that height). My body was still figuring itself out and it would later settle in a curvaceous 38-24-36... and I still thought I was fat. I wore over-sized clothes and, even though I was in dance and had legs of iron, never wore shorts. By the end of my senior year I figured out that I shouldn't be ashamed of my body, but I still thought I was fat because I wasn't skinny.

I haven't used the word "fat" to describe myself or anyone else in over fourteen years. What changed? I had a daughter and an epiphany about self-love. I am not fat, I have fat. I have more fat than I should for my height and it's not healthy, but it has nothing to do with how I face the world or my sense of worth. If I want to lose weight it is for health, not to meet someone else's standards. I can feel more attractive at a size 16 than I did at a size 8. When I hear someone complain about or judge someone for being fat I cringe at the word as strongly as I might if they used a racial slur.

I now have two daughters, both young teens and nature is working itself out. One has very, very low body fat, that's how she's built. One is more like teenage me, and that's how she's built. I have tried to promote portion size and nutritional values, but I don't teach calories. They know I am overweight and need to exercise for my health. They encourage me to exercise because they love me, not because I should meet some standard of beauty. I don't want "fat" to become part of their regular vocabulary or value system. They will face plenty of struggles in their lives without the ever-present specter of being fat or being afraid of being fat following them constantly.

How does this relate to writing:

Romance heroines are beautiful... but what does that mean? In my first draft I wrote Frances LeSieur as so-so (with or without the makeover). Not unattractive, but not stunning. I wanted the sense of her beauty to shine more and more and Henry fell in love with her. My beta reader's feedback said I should change that. Why? Because romance has that element of fantasy full of beautiful people.

The rest of my heroines are, so far and forevermore will be, beautiful. That doesn't mean they will be created from cookie cutters from Playboy.

Beauty is so many things. Frances is a size 8-10 and has a body that has born five babies. Mary is too slim to be fashionable then but would be adequate today in a size 2-4. In her era, however, this was not a positive trait. Jane (coming soon in Courtly Abandon) is petite and curvaceous in a way that wouldn't fit most clothing today--she would have to shop in the petite plus size section (she is, in fact, more in line with the standard of beauty appropriate to the era). While none of these ladies are a 2XL (yet) they are beautiful in their own ways and highly attractive to their mate.

None of them worry about being fat. None of their friends complain to them about their fat legs or pooch or flabby arms. It's a non-issue. Mary is a little self-conscious about a very toothy smile and tries to emphasize her bust, but, out of all of them, she might bemoan NOT having more girth.

If I had to whittle this down to my main points it would be that beauty is subjective and something we force on ourselves, so why destroy it with self-hatred? Romance novel heroines may be figures of beauty (in the book, based on the book's standards) but even there there is no standard they all meet. They find what is beautiful about themselves and learn they are worth the effort of claiming happiness.

I have fat and I am not thin, but I am me I am beautiful in my way.

VENUS, AN ORGANIST AND A LITTLE DOG BY TITIAN (1488-1576)




Friday, June 1, 2018

Sneak Peak at Courtly Abandon

Courtly Abandon, book three of Courtly Love, was scheduled to be released by Crimson Romance in July. Due to the kerfuffle (to put it lightly) with Simon & Schuster, that has been cancelled. The good news is that the rights have been returned to me and I'm currently working toward getting it placed with another publisher. I am optimistic it will happen. Eventually.

Courtly Abandon is the story of Mistress Jane Radclyffe, one of Frances LeSieur's gentlewomen companions. Jane is a firecracker. She knows herself and what she wants. Jane's journey is, perhaps, the rockiest on a personal level because she never considered her real motivations toward her objectives. Out of the three Courtly Love books, Jane's story is the most honest love story. While it has moments that go past silly and right into ridiculous (I can't help myself) it has equal moments of joy, pain, hope, and the strength to grab on to happiness and not let go. There is no lurking bad guy (the bad guy(s) is/are right there, in your face), no intrigue, no conspiracies, no mystery to solve - just good, bad, and in-between courtiers in the country and the shenanigans that ensue.

Here is a sneak peak at the opening chapter of Courtly Abandon.


Chapter One
Holme LeSieur, Nottinghamshire, 1573

If being ladylike meant wearing corsets everyday, Jane would just have to suffer through it. Even in one of her less ornate courtly gowns, a wool dress more suited to her station, she had to wear the full ensemble complete with corset, bumroll, and farthingale. Given the confines of fashion, this was as comfortable as it was going to be. At least the wool was fine and the moss green dye even and smooth. Of all the gowns she bought when she visited Queen Elizabeth’s court at the end of last summer, this was the plainest, but even this one was trimmed in rich forest velvet. It seemed silly to get done up for a dance lesson but if she wanted to get used to movement in courtly gowns, she had to actually wear them.
She locked her chamber door behind her, tucked the key into her bosom, and practiced walking gracefully down the corridor. She imagined herself gliding, her hem just dusting the floor. Instead her legs became the clapper for the bell of her skirts. If she bent her knees a little with each step and tucked her hips forward, her skirts did not sway so much. Walking like this must make her at least an inch or two shorter—at barely an inch over five feet, she did not have much height to spare. If ladylike decorum meant shrinking, she wasn’t sure it was worth it. Cursing at her self-defeating attitude, she continued to put one awkward foot in front of the other. The woven rush mat covering the floorboards seemed to go on forever.
“Mistress Jane!”
The high squeal was the only warning she had before little Elizabeth LeSieur barreled into her arms. Luckily, Jane’s somewhat crouched walk gave her the stability not to fall flat on her back. She settled herself and shook out her skirts to fix the hem while Elizabeth babbled excitedly.
Elizabeth, what has gotten into you?”
She was gyrating in place. “Mother has brought in a new tutor. Master Percy is a gentleman and able to give dance instruction in the Italianate mode. I met him yesterday and he helped me learn a song. But today we are dancing!” She twirled once more and the ribbon slipped off the end of her braid.
Pausing only for a moment at the name, Jane picked up the ribbon and gestured Elizabeth to stand before her. Percy was a common enough name among the gentry—besides, what would her Percy be doing as a tutor? A dance instructor, no less! “You have had dance lessons for years.” She replaited the errant strands and fastened the ribbon.
“Yes, but only in country and French. The French dances are so boring. These new ones, the Italianate ones, those are what the ladies do at court.” Elizabeth did a series of mock steps in a circle that was probably intended to look courtly. “Mama says if I am to be a lady, I must know the dances. She told me to make sure you joined in—that you need the practice.”
Jane groaned inwardly. She’d had that same lecture from Frances herself.
“Well then, let us march forth and meet our fate.” Jane took Elizabeth by the hand as they reached the stairwell. “Today we shall both continue on our quest to become proper ladies.”
Elizabeth giggled and hopped down the steps, two feet at a time. “Oh Mistress Jane, you cannot be a lady. You are my friend.”
“You have no idea how correct you are.” Jane smiled as she stepped onto the landing of the second floor and crossed the broad balcony to turn and head down to the first floor. Midday light poured through the long, narrow windows, sending shafts of sunlight to guide their way to the main hall.
Together, they pushed open the heavy double doors leading to the massive room at the center of the great home. The great hall served for banquets, as a ballroom, and for tenant meetings with the magistrate of the Nottinghamshire, Master Henry LeSieur. The polished oak floors were usually covered in braided rush mats, but in honor of the dancing lessons, a quarter of the room had been cleared. For the first time, Jane saw how Holme LeSieur could indeed host visiting nobility. Perhaps Frances’s house party idea would be a great success.
“Ladies, pray sit you down. The fiddler will be joining us anon.”
At the sound of his voice, Jane’s eyes flew to the young man sitting by the massive fire place. He rose and walked toward them, as proper as a gentleman scholar should be. Stopping to reverance, he shifted his weight back and lowered himself on the one leg while presenting the other forward, his slippered foot pointed and his calf taut beneath the fine wool of his hosen. Hat over his heart, he met her eye without any sign of recognition.
 “Mistress Radclyffe, I am Master Percy Mortimer. I will serve to tutor you in dancing for these next weeks.”
Jane stood rooted to the floor, her heart pounding in her throat. Percy was here! She swallowed and remembered to breathe. Somehow she found the presence of mind to reverance in turn, acknowledging a respectful meeting of equals. “God give you good den, Master Percy.” Her voice was barely a whisper. “What would you have of us?”
He directed them to sit on the chaise before the fire and began talking about something. Dancing.
God’s blood, what was Percy doing here? Why hadn’t anyone told her he was here? Why hadn’t he sought her out?
She sat in stunned silence, just staring at him while he continued his discussion about… French bransles. How could he talk about dancing at a time like this?
He had changed so much; he was bigger now—a man. Still, with those thick sandy lashes and the serious set to his jaw, she would recognize him anywhere. She had not seen him since her marriage five years ago, since the day he told her he loved her…
How could he talk about dancing at a time like this?
Well, he was the LeSieur’s tutor—he was doing his job. Wait, why had he become a tutor?
“Mistress Radclyffe, are you well?”
Jane looked up into Percy’s heavy lidded, hazel eyes. His face was so close, she wanted to reach out and drag her fingertips across the hint of shadow on his chin, down his neck, beneath his proper pleated collar. His tawny curls, tied back, secure under his velvet cap, showed no hint of sun kiss the way they used to. He had always been serious when it came to scholarship, but the intensity in his eyes made her step back. After all these years... and here he was.
She wasn’t sure if she should laugh or cry.
“You have surprised me, Mistress Radclyffe. I would have thought you more in control of yourself. After all, you are a grown woman. Married once, soon to be married again, if I hear correctly.”
            Just as tall, but no longer lanky, his broad shoulders dwarfed her in a way that made her feel vulnerable. She had always been safe with Percy, the Percy she knew years ago. This was a man she’d never met before and she felt anything but safe.
“Pray excuse me, Elizabeth. I am not well.” She rose as gracefully as she could. “Master Percy, I thank you for your concern. Allow me to bid you welcome to Holme LeSieur. I am sorry, but I must postpone this dance lesson. I look forward to meeting with you another time.” She babbled as she rose and left the room, uncaring about the sway of her skirts.
Percy was here, handsome as ever. Eloquent, educated Percy. She had never understood what he had seen in her back then, but one thing was clear—he did not love her any longer. During everything she had endured over the past years, she had clung to the knowledge that he loved her.
She didn’t know if she could handle the next steps of her life without the comfort of that thought.
*
Percy cleared his throat, hoping the lump there would dissolve. Seeing Jane again after five years had been harder than he had anticipated.
“Master Percy, when can we learn the newer dances?”
Percy smiled at his young charge. She deserved his attention. “When I know you understand the subtlety of the old. The break between the steps is a full stop, a rest. You are, ever so briefly, no longer in motion with no thought that you will move. But then you surprise yourself and you do move. Try to discern the difference.”
He could tell from Elizabeth’s expression that she saw no difference. Ah, well, she was only seven.
He had last seen Jane at her wedding ceremony. Her parents had arranged the marriage with the neighboring landowner. Jane had done what she was told despite the fact that she said she loved him. But then, why would a gentlewoman run away with him, a third son with no hope of inheritance, when she could be lady of the manor? She’d told him he lived in a fantasy and married that old man as if to spite him.
He’d left to finish university within the week and never saw her again. A couple years later he’d heard that old Howard Radclyffe had died, but he refused to wonder what had become of Jane. She had made her decision.
Then again, could she really have chosen him? At sixteen she was still in her minority and would have required her father’s blessing to marry. He’d been only nineteen himself.
He knew, with his rational mind, that she had made the smart choice. That didn’t mean he could forgive her for breaking his heart.
The years had only made her more beautiful, if not any taller. Little Jane, elfin and full of laughter, so tiny he could rest his chin on the top of her head. Petite, or not, there was no denying she was a woman—of course, stylish court dresses showed much more than the gowns she used to wear. Though still sweet, her face had more angles, more personality than the childish softness he remembered. A vibrant blue, her eyes stood out beneath her gold brow and lashes. She had this habit of biting her full lower lip when she was nervous. It always drew his eye. If it weren’t for that involuntary expression, he might have thought the Jane he knew was gone entirely, lost behind perfectly coiled hair, courtly attire, and refined manners.
For all that she was bundled in a courtly gown, she vibrated with an energy he had never understood. His Jane longed to be outdoors, to live life instead of sitting and waiting for the appropriate moments. But she wasn’t his Jane any longer. No, she was the widowed Mistress Radclyffe and in the market for a new husband. She had fully accepted the role of a lady. Did she even remember the wild daughter of the forest she once was?
He should have thanked Mistress LeSieur for the position and then made his apologies and left the minute he’d heard Jane lived here.
 “Master Percy, am I not doing it correctly?” Elizabeth’s plaintive voice broke through his musings. She wore a worried look and was continuing her double bansles in a circle, clearly trying very hard to make the pause between sets obvious.
“I am sorry I got lost in my musings. I did not mean to ignore you.”
“Oh, you were ignoring me. That is much better than being cross. You looked as if you were angry.”
“Again, my apologies. I am not angry with you.”
“Are you angry with Mistress Jane then? I am sad she had to leave—she looked so lovely in her dress. I wanted to see her dance. I never knew she was a lady.”
“I am not angry with anyone, Mistress Elizabeth. Now, you have done quite well. We will resume dancing on the morrow and learn about the meaning behind the Italianate steps.”
“They mean things?” Elizabeth’s bewilderment clear in her voice.
“Oh, yes.” Percy continued, lowering himself to his haunches, eye level with his young charge. “Italianate dances tell stories. Each step means something different and all the steps work together toward a grand ending. Some stories are funny, some make no sense…”
“Why would we tell a story that makes no sense?”
“Why, are you never silly? Some of the great choreographers played subtle jokes on the dancers and the courts throughout Christendom with dances that built upon themselves only to end in a fizzle.”
“But that’s not funny.”
“If you know the meaning of all the steps, it can be.”
It was clear Elizabeth did not agree, but it did not matter. Percy stood again. “So tomorrow we will study some of the poetry from Classical Greece, then see how those poems and poets fit into modern dances.”
“Am I dismissed?”
“Until tomorrow, Mistress Elizabeth.”
Percy gestured Elizabeth to stand after her elegant reverance. She would make a wonderful little lady someday. She was already being molded into a noble ideal. She would wed an earl, or at least a baron, of her parent’s choosing. She probably already had ingrained beliefs that title and wealth were the most important things in the world.
Perhaps they were. Perhaps he was the one with a skewed perspective. Too idealistic for his own good, he would have walked across fire for one kiss from Jane. Moved mountains. Love made everything possible—or so he had believed.
Elizabeth left the room, the soles of her soft slippers not making a sound. Percy concentrated on thinking through tomorrow’s lesson as he dragged the segments of rush mats back into their proper place.
“Master Percy.”
The authority in Mistress LeSieur’s voice stopped him short. He turned and gave a low reverance. “Mistress LeSieur, we have just finished our lesson.”
Was it his imagination or did she linger longer than usual before gesturing for him rise?
“So I see. I also noted that your lesson consisted of Elizabeth dancing a double bransle by herself for more than ten minutes while you scowled.”
“I beg your pardon Mistress, but I did not scowl…”
“You scowled. And then you dismissed her early.” She stepped into the room, toeing one corner of the woven rug into place. “Your credentials are impeccable. Thus far you have shown both skill and intuition in tutoring my daughter. I have been very impressed.”
“Thank you, Mistress LeSieur.” Percy almost reveranced again, then thought the better of it.
“I was impressed until now. What made today so different?” She had hired him on the recommendation of her mother, but he had no idea how far to trust that loyalty. She had been courteous with him so far, but he hadn’t determined whether or not she was a kind woman.
She sat on one of the benches flanking the wall and smoothed out her skirts, waiting. He offered no immediate answer and she let the silence endure, reminding him of one of his more severe professors at Cambridge.
“I have a prior association with Jane… Mistress Radclyffe.”
The blunt truth was out before he could question whether or not it was a good idea.
For an instant, there was a look of concern upon his employer’s face. “Jane.” She was silent a moment longer before asking, “Pray expound.”
“Years ago my parents sent to me live with Baron Stratham and his family in preparation for going to University. They had a son of similar age and an excellent tutor. They live just east of the Ormondes in Somerset.”
She grimaced, breaking her gaze from his to straighten her gloves. They must have been badly askew given her effort. “My own son, Robert, is currently being fostered with my step-sister’s family.” She cleared her throat and met his eye once more. “I will see him again at midsummer, then he will attend Eton in the autumn.”
“It is a blessing that he is able to be with family during this transition.” He couldn’t be sure, but her eyes looked somewhat softer.
Her smile seemed softer this time. “And her husband, Master Radclyffe? He was local as well, yes?”
“Master Howard Radclyffe. His property all but encompassed Taunton Cross Park, the Ormonde’s estate.” Percy paused for a breath. “I met Mistress Radclyffe when she was thirteen, three years before she married.”
“I am sure she was quite an… energetic, young lady.” What Mistress LeSieur did not say spoke volumes.
“She was high spirited, yes. But she was very young.” The image of her laughing, skipping through the tall grass as he strummed his lute. The lips that he had never kissed curved in a smile that said more than she had known. What was she now? “She was an innocent girl.”
Mistress LeSieur raised an eyebrow, but did not naysay him. “You did not pay court to her?”
“I could never do so formally. Her value was in marriage, and I had no prospects at that time but to find some sort of gainful employment, like tutoring, after my schooling. Her father would not have accepted me.”
“Ah, but would Jane?”
She had seen right through him. “No. After everything she chose to marry old Master Radclyffe.”
Mistress LeSieur was silent for a moment that stretched on toward eternity. Percy had nothing else to add and would not let her silence goad him into saying what he should not.
That he could not forgive Jane for hurting him. That he would always love her.
Spoken or not, he was under the impression that Mistress LeSieur knew.
“Master Percy, understanding that Jane is like a part of our family, do you think you should continue on in this household?”
“In sooth, Mistress LeSieur, I do not know.”
“Tell me this, then. Will Jane have a cause for complaint at your presence?”
“No, I have never caused her hurt.”
“And never shall?”
She was extracting a promise. He reveranced again as he said, “Never maliciously.”
Mistress LeSieur rose and straightened the line of her overskirt so it was completely symmetrical on her forepart. “That is all I can ask.” Her skirts brushed against his leg as she walked by, having not yet given him leave to rise. “You make up your mind as to how much you can bear. In the meantime, I expect you to be an exemplary tutor to my daughter. If you find you are not able to act as a dance instructor to Jane, please let me know so I can make alternative arrangements as soon as may be.” She crossed the room towards the open double doors without even looking at him.
“I will be professional and courteous. I apologize for my earlier behavior.” Percy spoke almost under his breath.
He was surprised when Mistress LeSieur stopped short and faced him. She stood still for just a moment before finally gesturing for him to stand. “Mortimer is a common name hereabouts. What is the situation of your birth?”
Percy ignored the need to stretch after holding the reverance position for so long. “My birth? I thought you knew.” What an interesting question. “I am youngest of three sons. My father was the third Viscount of Kingsley. My brother is the fourth Viscount of Kingsley, currently at Kingsley Chase not far from here. Mortimer is one of the family names. I chose not to use the full name, Mortimer Harrington, so as not to play upon the connection.”
Frances’s laugh surprised him. It rang clear, echoing throughout the empty hall. Still laughing, she turned and left the room.

Tuesday, March 27, 2018

Homeless

On March 12th, Simon & Schuster announced they were closing Crimson Romance.

Crimson Romance, an imprint of Simon & Schuster, is/was my publisher. While Simon & Schuster still holds the contracts on Courtly Pleasures and Courtly Scandals (released one week after closing), they reverted the rights of my third book, Courtly Abandon (which was scheduled for release on 7/2/18), back to me. This affected the entire staff of Crimson Romance (who got the news about the same time I did) and hundreds of authors.

What does any of this mean?

Courtly Pleasures and Courtly Scandals are still available at this time in eBook. Courtly Pleasures was supposed to available in print on 3/12/18, but that has been delayed and I'm not even certain if they will continue to support the print on demand for this title. Pre-order for the print version of Courtly Scandals was available until this morning, but that was probably just a matter of S&S having not gotten around to canceling it (which kept my hopes up). I am certain Amazon will be sending out the email shortly to any who have reordered alerting them to the cancellation.

My plan was to continue promoting my books as if nothing had happened. My husband is dealing with the next steps because this has been very difficult for me to process. I'll keep writing and he'll deal with the legal issues (which is a gift to me because, right now, I just can't). It's messy and I hate it. I'm only writing about this here to answer, calmly, like a rational person, the questions that will come from my friends and family having their orders cancelled.

The worst part, for me, was that I'd started thinking of myself as on a safe path. I've used the analogy of a race in the past, so I'll continue here: I thought writing a book, learning the industry, promoting my product, etc... was the first race with publication at the finish line. I have said that I never felt like I'd won, but that I'd just started a new race. Well, this has shown me that I'm still in that first race and, from here, it doesn't look like there is an end, just more hurdles. I was in a straightaway and lulled into a false sense of security. My publisher suddenly being closed was a major wake up call and I'm still reeling.

The good news? I have readers, I have two books out that are selling, and I have a completed third book (the best of the three, imo). I'm ready to pitch to publishers again, but I'm a better position than before. I may not be a featured author signing at a convention, but I'll be there with a viable product, sales numbers, and a little more faith in myself. I did it once, I can do it again. And maybe next time around the covers will be set in the right century (I can dream, right?).

In the meantime, if you look up Courtly Scandals on Amazon, it does not have any matches and asks if you meant "courtly sandals" but does suggest Courtly Pleasures as an option. But if you select Courtly Pleasures, it doesn't suggest Courtly Scandals as book 2. You can see both books if you go to my Amazon author page. This wouldn't have happened if Crimson was still supporting my titles.

I wrote this blog for two reasons:
1. So it's all here in a nutshell and I don't have to explain it any more.
2. The purpose of my blog has always been to document my experiences and life lessons along the road to publication. When I signed with Crimson, I decided to keep up that aspect of myself. Publication is just another part of that journey and, if you're a writer trying to figure all this out, my little babbling anecdotes might help you feel less alone in this mess. I started querying with the expectation that my book was the BEST BOOK EVER and I'd be the exception to the long haul of rejections I'd heard so much about. Well, I wasn't. I'm not. I just keep trying. I'm a better writer because of the rejections. What doesn't kill you makes you stronger and I'm not dead yet.



Thursday, March 15, 2018

Courtly Scandals Inspirations

Happy Ides of March!

I introduced Mary Montgomery in Courtly Pleasures. She was Frances LeSieur's no-nonsense friend, both practical and nurturing. She was a problem solver and a little bit of a meddler with a suppressed wild streak.

Courtly Scandals (due to release 3/19/18 - 4 days!) is Mary's story. Courtly Pleasures ends with Frances heading back to the country and Mary staying behind with her old friend, Anne Cecil, the Countess of Oxford. Mary stayed because she thought Anne needed her, but isn't there long before she realizes there's a world of resentment and judgement within Anne and the friend she was making sacrifices for is a soul sucking harpy not worth the effort.

As I was writing, I realized I was missing something. Without Frances and Jane, Mary seemed so very alone and her romance was so fresh that she needed someone to turn to, someone who would slap any self-doubt or sense of worthlessness out of her.

And that's when I saw this (some mild language):


This is what I was missing. Mary needed a sassy gay friend to redirect her when she was being stupid (and there was a plot line with Oxford that this balanced out perfectly). So I built up Girard, a minstrel of the Oxford house, devastatingly handsome, a true friend, honest, non-threatening, but vulnerable due to his very nature and the world he lived in. I realize Mary has a very modern approach in that she does not judge him the way the traditional Elizabethan would -- however, she'd been at court and was familiar with the fact that that the rules are different for people with money and power.

Girard is not the flamboyant stereotype featured in the video above. I like to think I gave him depth and, though he has a sense of humor and constant twinkle in his eye, there is a gravitas to him.

Courtly Scandals was also influenced by Virginia Henley's The Hawk and the Dove. I read this many years ago, long before I developed my love affair with Elizabethan England and Queen Elizabeth herself. In this book the main character disguises herself as Queen Elizabeth so disrespectfully as to be almost heretical in the period -- but then her version of Queen Elizabeth is very different from mine. While Ms. Henley's portrayal of Queen Elizabeth was somewhat shrewish (not wrong) and mine is more benevolent, if a little capricious (also not wrong), I nodded to the scene in my own way. Without going into too much detail (no spoilers), the revelry at court over the 12 days of Christmas gives an author carte blanche. Anything can happen.

Courtly Scandals is the story of a damsel in distress who figures out how to rescue herself. Sir Charles is the knight in shining armor that discovers he needs rescuing too. The story unfolds with a series of what-else-could-possibly-go-wrong-? moments that bring them together in a bond that begins with attraction and ends in trust. 

If you enjoy Mary's story, I look forward to reintroducing you to Jane in Courtly Abandon, due to release in July of 2018.



Wednesday, November 23, 2016

Imitating Myself

My writing style has changed since I finished my first manuscript, Courtly Love, ten years ago. I am less passive and trust myself to break grammar conventions for the sake of the story. I think about pacing and the way sentences read and flow. It's not just about having a solid plot and character arcs, but about how I show the story evolve.

That said, in rewriting Courtly Love, now Courtly Pleasures and an entirely different story, is painful. It has to fit with the following two manuscripts, Courtly Scandals and Courtly Abandon. The problem is that I don't write like that anymore. What I am, in effect, doing is imitating myself.

And it's not easy. In fact, it's coming out a lot like Frankenstein,a whole made out of different parts that don't quite fit. My critique partner said I should scrap it and start an entirely new book with the same characters and let it grow but if I do that it won't fit with the next two.

I have called this book my white whale but I intend to conquer it. I just wish I could write with the excitement and energy of watching a story unfold. My carrot on a stick is that I will be able to finish Gillian and Liam's story in Call of Echoes as soon as I'm done with this beast.


Friday, April 26, 2013

I Have Been Judged


Have you ever judged a writing contest? I have not, but I have been judged. Oh yes, judged and found lacking. I have also been judged and found brilliant. Oddly, it was the same manuscript in the same contest.

I like what I like. I buy books I know that I'm already predisposed to like. Recently I made a foray into horror/thriller and found that I do not like it. I like aspects, but the gore is over the top and doesn't further the story for me. If I was a horror reader by nature, maybe I'd find that gore necessary as much as sex is in romance (disclaimer: I think gore in horror and sex in romance has its place, but can be gratuitous -- this is my main objection).

What I find unfortunate about the judging process is that the judges of writing competitions are generally not allowed to judge within their own genre. I write historical. People who enjoy my stories enjoy historical settings and, generally, understand aspects about the history already. For a judge who does not read and enjoy historical to read and judge it seems out of place. The same goes, perhaps even more so, for paranormal. People who are just unable to suspend disbelief for the supernatural will not enjoy the reading experience if they're judging a paranormal manuscript. They're predisposed not to like it.

Because of this, one of the scores I pay most attention to is about the writing itself. You don't have to like the genre to recognize a well written work. Usually the scores on the quality of writing are consistent across the panel of judges.

This brings me to the reason for this blog. I just got my Golden Heart score sheets (RWA: thank you for the change, by the way. I love that it breaks it down.) In one book, I got scored a 9/10 and a 10/10 for the quality of writing. I also scored a 5/10. Huh? I understand stylistic differences or just not enjoying a writer's voice, but 5/10 makes me think I need a refresher course in sentence structure. How does one judge give something a perfect score, and the other fail it completely? It blew my mind. I don't know how to address it. My fragile self esteem makes me more likely to dismiss the high scores as a fluke rather than the low score. People have all sorts of opinions about story, character, etc... and I can allow for differences there, but if I just can't write paragraphs cohesively this is a huge problem.

Disclaimer: This is not a complaint, it's a reaction. I am very grateful for the judges who took the time to read my manuscript and give feedback.

I'm left with an unclear course of action (if any). Even more so, I'm left unsure about my own abilities. Don't worry; I'm not fishing for complements or in need of hugs. I'm fine -- I just need to step away for a moment and try to look at things objectively. In the mean time...



Wednesday, January 2, 2013

The Year in Review

Well, I did not finish Possessing Karma by my self imposed deadline of 12/31/2012. I am 96% done -- so, so close. I really have about 2 1/2 chapters left, but time was not on my side. Stupid Christmas got in the way. Bah-humbug. (Yes, it did get in the way, but no bah-humbug. I love Christmas).

Today is the last day to submit to the Golden Heart contest through Romance Writer's of America. Yesterday I submitted both Courtly Scandals and Courtly Abandon. I wanted to get Karma in, but even if I'd finished the first draft, it wouldn't have been ready for judging.

2012 is over. I did not get an agent, though I did get some positive agent connections. I did not get published, but I did (almost) finish two books. I broke completely out of my Elizabethan comfort zone in writing and have found a new niche for myself. I did not lose weight, but I didn't gain weight either. I broke the heck out of my foot, then healed. I attended the RWA 2012 conference in Anaheim and resolved to attend the 2013 in Georgia.
Just for fun, here is my past year in random pics I took on my phone.

We saw this dog at the mall, fresh from the groomers. She still stood tall and proud, a Great Dane in spite of her pink-ness. Even her nails were painted.


In case you ever wondered what hope, dreams, and love smelled like, I can tell you. It's has a soft floral with a hint of vanilla. Quite nice, actually. Now you know.


Everytime I park next to this car, I wonder how many of those cats are still living. Sort of creepy. Reminds me of the dogs from Coraline....

This movie made my children cry and afraid to sleep in their own beds. They are 8 and 6 1/2. Never trust the movie recommendation of a 34 year old, single, childless, entomologist.


This pic was taken for a blog I didn't end up writing. This is a laundry detergent scoop from Arm and Hammer. Line one indicates the amount of detergent needed for a regular load. Line two is for extra soiled. Line three is for nothing, but is more prominent than one and two. Of course, I bet most people just fill the scoop without reading the directions, then wonder why they didn't actually get 125 loads from their box of soap.

I don't know why this was on my phone, but it was, so here you go.

I must have deleted the picture of the guy in a pumpkin costume riding his motor cycle down the freeway.

I hope you had a great 2012 and are optimistic about what 2013 may bring your way.
Happy New Year.




Sunday, October 7, 2012

Opportunity Cost

I am currently 33% into Possessing Karma. The story ready to unfold is the clearest it's ever been (for me) and it's turning into the best book I've written so far. Exciting.

Writing Karma means I'm not sewing an Irish dancing dress for my daughter. That is one of the opportunity costs of choosing to write over other activities  It also means, to a MUCH lesser degree, that I have not downloaded the new panda expansion on World of Warcraft. Whoopdie-Do. There was a time when I would have done it the first moment possible then tried to power level. Now the game has been tainted by more than pandas and I don't care enough. I hope I care again because it was fun once. But I digress....

I am also NOT writing three different books. In the past month I have had moments of genius for three different, unrelated, not in my genre niche, stories that I think would be awesome and take the publishing world by storm. If I started every new project the moment inspiration hit, I would never finish anything. So, along with my three additional Elizabethan era historicals I have planned, these ideas must be shelved for now. This is the opportunity cost of writing and finishing a book.

So I am not writing:

  • 3 Elizabethan historicals
  • A complete revision/rewrite of Courtly Pleasures
  • A chapter that will flesh out Courtly Abandon
  • 1 supernatural romance w/secret baby (but not a cheesy way)
  • 1 supernatural romantic suspense based on my time in Ireland
  • 1 kitschy vampire series (a minimum of 5 books I'll write it in 5-7 years when the market's not saturated)
  • and 1 that I won't even mention because the idea is so great you might run with it and then where would I be?


Oh, opportunity cost.

In other news, 90 days since the RWA 12 conference is approaching and that means it's time to start politely  reminding the agents and editors holding on to my submissions about me. A little nervous.

Thursday, July 12, 2012

More One Sheet Madness

I've finished rough drafts on my three completed courtly books. My poor critique partner has a mailbox full of attachments and is probably cursing my name about now. Still not done, but getting there. I need to revise my synopsisisis on Courtly Pleasures and Courtly Scandals. Courtly Abandon will be written from scratch.

As for Possessing Karma, that book is only 20ish% written. I know promoting it is putting the cart before the horse, but I think I need to show that I'm versatile. I will write a one sheet and synopsis on that one, too. Soon. Eventually. Sigh.

Anyway, here are my revised courtly headers (Photoshop is fun) and taglines. Still having trouble with the '25 word or less' aspect of that, but hey...

 A newcomer to Queen Elizabeth’s court, Frances finally gets her husband's attention, and the attention of a killer.

 Amid the revelry of the Queen Elizabeth’s court at Christmas, Mary is desperate to hide her sordid past, but now a new shame threatens her future.

Fear is the only obstacle to Jane's future happiness. She must be brave enough to choose love over security. 
New version:  Trapped in a web of her father’s lies, Jane must find the strength to choose love over obligation

Question -- should my tagline be specific to the story? That's how I was approaching it.  OR should it be specific to my writing'? A riotous romp through Elizabethan England -- or something. I don't know. So tired. And sweaty. And I'm beginning to suspect I may be lactose intolerant. And I need to put away the laundry...

More writing specific tag line fun:
Dancing and drinking and feasting, oh my!
The Elizabethan court, deflowering maidens since 1558!
Loosen your corset and have a glass of wine. You may need a cigarette after this book.

Friday, July 6, 2012

One Sheet Chaos

Seriously, do I not know what my book is about? I wrote it, for goodness sakes! It's about... ummm.

Good greif.

I plan to have pitch sheets/one sheets on all three courtly books, even though Courtly Pleasures (previously known as Courtly Love) is my under-the-bed book. I figure, at the very least, it will show what I have produced even if it's not sellable.

My trouble lay in paring it down to the key points. I think I'm too close; I see all the little details as very important, too. Not only that, but my key story elements have to be powerfully worded. They must grab you and make you read my book. That's a lot of pressure.

So, to alleviate the pressure, I decided to write this blog. You will get to share in my process of stripping my stories down to their bare bones - but I'm not trying for finesse, just to get words on the page.

Courtly Pleasures:
Frances, suffering from post-partum depression, feels numb. She joins Queen Elizabeth's court at Hampton Court Palace in effort to feel something again. There she undergoes a transformation, Cinderella style, which shocks the pants off her husband. Henry, a slave of duty, has been too busy and stupid to ever notice how lovely his wife was. His service to the crown has gained him enemies -- one of whom is a crazy Papist out for blood and obsessed with Frances. A frequently used plot device, the danger to his wife makes him realize how much he loves her.

Now, to pare that down...
Frances goes to court, rediscovers herself and learns to live rather than survive. Her new joie de vivre gets her husband's attention, and the attention of a killer.

Courtly Scandals:
Mary was told, on the heels of an attempted abortion, that she could never bear children. This means she is not wife material. Her only worth lay in her reputation, which she blows by becoming scandalous over the twelve days of Christmas at Queen Elizabeth's court. Sir Charles, a knight and member of the Queen's guard, believes nobility lies in merit, not title. he wants to save Mary from the court, but also from herself. Mary needs to forgive herself and come to terms with her past and her worth as a person, to realize she deserves happiness, before she can accept Sir Charles. Besides, what do Elizabethan midwives really know about conception and gestation?

Now, paring that down:
Mary has a fling with Charles and falls in love. The problem is she can never marry because she believes she cannot have children. On top of that, she makes herself notorious with scandal after scandal, so no longer has value as a reputable gentlewoman companion. She has to move on and accept that she's worthy of love.

Sigh, still too long.

Okay, so here's Courtly Abandon:
Slutty but lovable Jane has to remarry in order to escape the influence of her abusive father. She chooses a husband, one wealthy and titled enough to ensure she'll never have to see her father again. Love is irrelevant, until Percy shows up. Percy and Jane were childhood sweethearts before her first arranged marriage. He's never forgiven her for not running away with him, but hasn't stopped loving her. Percy is shocked at how worldly Jane has become, but Jane is striving to be even more courtly, a lady, in order to attract the titled husband. On the cusp of success with her viscount, Jane realizes love matters and grows a backbone. With the deus ex machina of Queen Elizabeth, she and Percy get married.

Short version:
Jane and Percy were childhood sweethearts. Four years and an arranged marriage later, Jane is a widow who needs to marry again to escape her father's influence. Percy mans up this time, but Jane has too much fear of her father to trust in love. Eventually she does. The end.

Man, I suck. This is a really pain in the petunia. One thing I have done is (dun, dun, DUN!) created headers. Here they are. Enjoy.

Each story is set in a season, so I went with that rather than cheesy Renaissance Faire images.

Anyway, if you actually took to the time to read all this, take another moment or two to help me finesse my blurbs. I'm flailing here and the RWA conference is in 21 days.

Thursday, May 31, 2012

Self Deprecation at its Finest


I just started, really started, my contemporary paranormal romance with suspense sauce. They get down and dirty within the first fifteen pages. Too quickly, you may ask? No, because they’re possessed by ghosts. It’s all good. Don’t worry, they’ll actually have honest and meaningful sex around the appropriate time – say page 125ish. And yes, it will be emotionally significant to their character arcs.

Karma, aka Kay, is an ethnic mutt newly moved to New Orleans to teach religious studies at Tulane. She is newly out of the life of professional student and is playing house. Unfortunately her house is haunted. You’d think as a scholar of religious studies that she’d be open to that stuff, but no – she thinks of mystical explanations as a crutch for humanity. Lucky for the readers, the ghosts are horny. Lucky for Kay (I have cast Halle Berry, but with blue eyes), her neighbor and chainsaw artist, is hot (Joe Manganiello). Yes, I have been watching True Blood and Saw Dogs.

In other news, Courtly Abandon edits w/beta readers are going well. No one has been turned off by my hero’s virginity, although one commented that the scene were he was trying not to, umm, spend, in his pants, hinted at sexual dysfunction. Changing that. Otherwise, my incredibly well bathed Elizabethans finding love amidst adversity has been well received.

Sometimes I enjoy laughing at myself. Sometimes I don’t. Right now I’m in the process of trying to finesse my queries. In doing so, I’m trying to step back and look at the big picture. What are my stories really about? This morning, this process has resulted in my laughing at myself. A lot. I’m frustrated with some of the cliché necessities of genre fiction, even though I’m confident that I addressed them professionally and made them an organic part of my stories. I like to think that I own the fact that I write romance. I am unashamed, proud even – but then I find myself highlighting all the steamy scenes to make sure there are enough and that they’re well balanced and I get a little sad. But then I read a romance and it lightens my day. I have to remember that, whenever I think of myself as tawdry, that I’m writing what I love, what many readers will love. Romance offers that silver lining and any negative thoughts I have about it stem from external sources. Take that, world!

Here I am writing my fourth book about stunningly beautiful people with baggage. Lucky for them I’m here to help them get past their issues and realize that love is worth it and that they are worthy of happiness. So, watch out Karma and Philippe, I’m about to rock your world way more than the ghosts of the wealthy plantation owner and his Creole mistress ever could. Just ask Jane and Percy, or Mary and Charles, or Frances and Henry.



Sunday, May 20, 2012

Figurative Loin Girding Has Commenced


Agent and editor appointment scheduling opens tomorrow for this summer’s RWA conference. Yes, I’m pinning all my hopes and dreams on the last week of July. I can’t pretend I’m not. As such, I’m making sure my ducks are all rowed up nicely and that my agent appointments counts. I feel like I'm preparing for battle. Soon I'll have my husband jump out from corners and surprise me with questions about my books. Training has begun.

The research is slow going. Some of the agencies have been easier for me to determine – I mean, if I’ve read many of their client’s books then I have a great basis of understanding who they represent and what they’re drawn to. On the flip side, if I’ve read many of their client’s books, then they’re probably in too high a league for me.

The slow part is with the agencies where none of the names are familiar. Yes, the box is checked that they represent historical romance – but they only have one client who writes historical and that is Regency and inspirational. But the box is checked, so does that mean they’re broadening their scope? I have no clue, but there are only so many appointments available, so I get the distinct joy of selecting, font, and strikethrough on my list.  Feels like an accomplishment, but it’s possible I’m just shooting myself in the foot.


Speaking of my foot, I returned to work on May 14th. It’s been awkward, but I’m glad to be out and about again. Yes, I’m still wearing THE BOOT when out, but got the okay to wear a sneaker when at home. My tendon has completely reattached, but the two bones still show shadows of the fracture and should be babied. I don’t think I’ll be in snazzy shoes for the conference. It’s possible I will have a cane.

Tired and out of time, I wish all agency websites would include cover images with their client lists (Thank you, Bradford Agency). Yes, this is me being lazy, but I just spent twenty minutes clicking through a list of authors I’d never heard of, that did not have their genre listed, only to find out they were all inspirational. Just to make sure I wasn’t an idiot, I double checked all the “About Us” blurbs and found nothing specifying that they only did Christian. It’s not that my books are anti-Christian, but there’s a whole lot of sex so…. Yeah.

Okay, back to the grind. Let’s see what Cori Deyoe at 3 Seas (I’m sure I’ve queried them in the past - does this mean I shouldn't meet them face to face?) represents.

Tuesday, May 8, 2012

Note to Self: I am an Alto


This blog post is more of a ramble. Just remember, you chose to read it.

I should be getting my clearance to return to work later this afternoon. If all goes well, I’ll be back with my class of adolescents on Monday. It’s crazy, but I’m looking forward to it. I also should be getting a handicap placard (which I will not abuse).

Things have been funky for me since the incredibly stupid injury. I have slept a lot more than is probably healthy. I have developed a tendre for Vampire Diaries. I have finished Courtly Abandon and begun round one of edits prior to beta readers. I have lost all muscle tone in my left leg, but my right calf still has some definition. I find it easier to cry lately (Damon killed Rose, I was a blubbering mess). I am enamored with making cupcakes. I’ve gotten better about answering my phone and responding to texts in a timely manner. I did not get to do faire this year, but I have some designs for next year’s dress.

Today, I went out for coffee (green tea latte w/almond milk, actually) with a friend. I drove myself. I even stopped to get gas after. Look at me being all independent and not housebound! In the car I listened to the original Broadway cast soundtrack of Phantom of the Opera. A big part of me still loves it like I did in high school. A little part of me recognizes how dated it is. Then there is that tingly sensation I get with the soaring of the strings inMusic of the Night, and I stop being nit-picky. Let your soul take you were you long to beeeeeeeee! It gives me chills (even though I'm critical of ending such a powerful note on such an insipid word).

As soon as I came home I dusted off the piano and found my sheet music. My sight reading is no longer what it was, but the muscle memory was there from all those years ago. I have confirmed that I’m still not a soprano (although now I have the guts to just go for it, I don’t care if the neighbors hear) and that I really love playing. Maybe I’ll tune my harp next and give it a go. Who knows?

But for now, I’m blogging to warm up, then jumping back into Courtly Abandon edits. Playing was a great creative stimulus and I’m amped. I just have to remember that Percy, my mc, has been cast as Hugh Dancy. I will NOT rewrite him to look like Ian Somerhalder. Hazel eyes, not icy blue. Must remember.

Thanks for reading. I hope you have a wonderful day.

Just for fun, here’s my current desktop wallpaper, for inspiration’s sake.

Monday, April 16, 2012

Start the Story Where the Story Starts

pic by Steve Ohlsen
In my first book, the first three chapters dealt with backstory and the main character's post-partum depression. She finally got to London in chapter four, and we met the hero for the first time in chapter five. It's my love child and I've tried to right by it, but the book, in its entirety, will never be published.

My second book, chapters one and two were character growth. Yes, there was action and dialogue, but the story didn't really start until chapter three. Solution? I cut out chapters one and two. It hurt, but it was necessary -- like deadheading.

By my third book you'd think I knew what I was doing, right? I started with action and some humor, then some snappy dialogue and set up the love triangle. Problem: I spent a lot of face time on the guy she was not going to end up with. I also, since it was book three, gave too much time to the characters featured in books one and two. Yet again, we do not meet our hero until chapter three, which is when the story starts. Chop. Chapters one and two, gone.

I am currently reading through a story for a friend. The first fifty pages are so are character development and back-story. When I finally give my critique, it will be to start the story where the story starts -- something I obviously struggle with.

I like to think that someday I'll learn from my mistakes. 

So, without further ado, here is the NEW first 1000ish of Courtly Abandon. If you take the time to read, please let me know if you get a sense of the time/place, who the main character is, and a feeling for where the story is going. Most importantly, where you hooked?


If being ladylike meant wearing corsets everyday, Jane would just have to suffer through it. Even in one of her less ornate courtly gowns– a wool dress more suited to her station, she had to wear the full ensemble complete with corset, bumroll, and farthingale. Given the confines of fashion, this was as comfortable as it was going to be. At least the wool was fine and the moss green dye was even and smooth. Of all the gowns she bought at court, this was the plainest, but even this one was trimmed in dark green velvet. It seemed silly to get done up for a dance lesson but if she wanted to get used to movement in courtly gowns, she had to actually wear them regularly.
She locked her chamber door behind her, tucked the key into her bosom, and practiced walking gracefully down the corridor. She imagined herself gliding, her hem just dusting the floor. Instead her legs became the clapper for the bell of her skirts. If she bent her knees a little with each step and tucked her hips forward, her skirts did not sway so much. Walking like this must make her at least an inch or two shorter – at barely an inch over five foot, she did not have much height to spare. If being a lady meant shrinking, she wasn’t sure if it was worth it. Cursing at her self-defeating attitude, she continued to put one awkward foot in front of the other. The woven rush mat covering the floorboards seemed to go on forever.
“Mistress Jane!”
The high squeal was the only warning she had before little Elizabeth LeSieur barreled into her arms. Luckily, Jane’s somewhat crouched walk gave her the stability not to fall flat on her back. Jane settled herself and shook out her skirts to fix the hem while Elizabeth babbled excitedly.
“Elizabeth, what has gotten into you?”
She was gyrating in place. “Mother has brought in a new tutor. He is a gentleman and able to give dance instruction!” She twirled once more and her ribbon slipped off the end of her braid.
Jane picked up the ribbon and gestured Elizabeth to stand before her. “You have had dance lessons for years.” She re-plaited the errant strands and fastened the ribbon.
“Yes, but only in country and French. The French dances are so boring. These new ones, the Italianate ones, those are what the ladies do at court.” Elizabeth did a series of mock steps in a circle that was probably intended to look courtly. “Mama says if I am to be a lady, I must know the dances. She told me to make sure you joined in – that you need the practice.”
Jane groaned inwardly. She’d had that same lecture from Frances, herself.
“Well then, let us march forth and meet our fate.” Jane took Elizabeth by the hand as they reached the stairwell. “Today we shall both continue on our quest to become proper ladies.”
Elizabeth giggled and hopped down the steps, two feet at a time. “Oh Mistress Jane, you cannot be a lady. You are my friend.”
“You have no idea how correct you are.” Jane smiled as she stepped onto the landing of the second floor and crossed the broad balcony to turn and head down to the first floor. Midday light poured through the long, narrow windows, sending shafts of sunlight to guide their way to the main hall.
The hall was at the center of the great home. It served as a banquet hall, a ballroom, and for tenant meetings with the magistrate of the shire, Master LeSieur. The polished oak floors were usually covered in braided rush mats, but in honor of the dancing lessons a quarter of the room had been cleared. For the first time, Jane saw how Holme LeSieur could indeed host visiting nobility. Perhaps Frances’ house party idea would be a great success.
“Ladies, pray sit you down. The fiddler will be joining us anon.”
At the sound of his voice, Jane’s eyes flew to the young man sitting by the massive fire place. He rose and walked toward them, as proper as a gentleman scholar should be. Stopping to reverence, he met her eye without any sign of recognition.
 “Mistress Radclyffe, I am Master Percy Mortimer. I will serve to tutor you in dancing for these next weeks.”
Jane stood rooted to the floor, her heart pounding in her throat. Percy was here! She swallowed and remembered to breathe. Somehow she found the presence of mind to respond. “God give you good den, Master Percy.” Her voice was barely a whisper. “What would you have of us?”
He directed them to sit on the chaise before the fire and began talking about something. Dancing.
God’s blood, what was Percy doing here? Why hadn’t anyone told her he was here? Why hadn’t he sought her out?
She sat in stunned silence, just staring at him while he continued his discussion about… French bransles. How could he talk about dancing at a time like this? He had changed so much; he was bigger now – a man. Still, with those thick sandy lashes and the serious set to his jaw, she would recognize him anywhere. She had not seen him since her marriage four years ago, since they day he told her he loved her…
How could he talk about dancing at a time like this?
Well, he was the LeSieur’s tutor – he was doing his job. Wait, why had he become a tutor?
“Mistress Radclyffe, are you well?”
Jane looked up into Percy’s heavy lidded, hazel eyes. His face was so close, she wanted to reach out and drag her fingertips across the hint of shadow on his chin, down his neck, beneath his proper pleated collar. His tawny curls, tied back, secure under his velvet cap, showed no hint of sun kiss they way they used to. He had always been serious when it came to scholarship, but the intensity in his eyes made her step back. After all these years, and here he was.
           She wasn’t sure if she should laugh or cry.
Thank you for reading and I look forward to your comments.
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