|My first dress.|
Currently for sale, btw. :)
Overflowing with insecurity, I did the final fitting and tried to read every micro-expression, gauge every raised brow, every assessing glance. Did they like it? I couldn't tell -- they said they did, but there was that momentary look of confusion when they looked at it, the hint of disappointment. It crushed me.
|My second dress on left.|
The dress on right is a school dress.
In the end, the young dancer had a very elegant dress. When she was on stage she beamed and held herself proudly. When she danced I knew she loved the dress.
Let me be clear that I am not complaining about the experience; I'm detailing the stresses involved as they relate to my growth as a Irish solo dress designer/seamstress. The biggest life lesson here was how difficult it was to make sure we all had the same expectations. Despite sketches, swatches, and explanations, I wasn't able to explain my vision to my clients OR (worse) understand their vision/expectation. We thought we were all on the same page, but I could tell by the look on their faces that the dress wasn't what they imagined it would be. Did I deliver a good dress? Yes. Was it what they wanted? Ehrrrmmmm... not sure. Probably not.
|My third dress (and first commission project)|
This ties in perfectly with my experience in writing. It must be a common thread in all the creative production professions. Making what you believe in compared to making what you think will sell. Communicating your vision and inspiring others to feel as strongly about it as you do... it's all the same beast. Of late I've felt more satisfaction in designing/creating dresses than I have in writing -- perhaps because with the dresses I can see them out there, dancing. My books sit idle, waiting.
My dresses are entry level solo dresses so far, not elaborate enough for Worlds (above).