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Showing posts with label tropes. Show all posts
Showing posts with label tropes. Show all posts

Thursday, July 7, 2022

Consent in Romantic Fiction

Romance is ultimately about two people finding love against all odds and living happily ever after. That has been consistently true throughout the evolution of the genre.

What has changed is the idea of what is sexy. I'm going to go out on a limb here and make a blanket statement that assault is not sexy.

The alpha male was the ideal romantic character. Add the Byronic, emotionally-damaged element and he was the man a reader could fantasize about healing. He was physically powerful, sexually more-than-proficient, and unreachable... until that one special woman healed him with love. One problem with this is the fantasy that a good woman could change a man. Another problem is that he usually was so sexually overwhelming that the woman couldn't help herself.

One theory for this standard in romance (60-70s) was the idea that a woman was not empowered to say yes. If she wanted a sexual experience, that made her dirty. The pseudo-rape by the alpha male took her accountability away. She said no, but her body said yes. Wait, did I say pseudo-rape? How understated of me.

Another theory for the alpha-male fantasy was, as women became expected to be the super-executive+super mom in the 80s-90s, they fantasized about not having to be in control of everything. The idea of being taken, of ceding control, was a fantasy for a different reason than worrying about being considered immoral; it was backlash about being asked to be too much all at once. These books are borderline rape-fantasy books. The first explicit romance novel I read, when I think back on it, removed all sexual agency from the heroine. It's sad that this is what started my own evolution and is still there, hovering in my subconscious, tainting my understanding of self with guilt and shame. Good times.

My point:

Romance norms have changed drastically in the last ten years. The alpha is still there, but he's more emotionally available and has respect for women. He listens when she says no, or wait. He doesn't bully his way through. It is a relationship of equals and of equal choice. It's awesome. 

I recently have been going through a well-known author's backlog of books (I do that, find an author I like and read everything by them). I'm back about ten years and came across a seduction scene that made me cringe. It was the alpha male asserting himself and seducing the unwilling heroine with a searing kiss. Unwilling. The minute she said stop, don't touch me, that should have ENDED THE SCENE. The fact that he continued made me instantly hate him. She. Said. No. No means no, m*th*rf*ck*r. The book did not get worse along those lines, but he was already ruined. He was probably intended to be an alpha-male, but I saw a bully and could not get past that. He punished her with pleasure. Yuck.

The 2nd book in that series involved the man's twin brother.  He was confident and funny. He was in no way a pushover, but when said enough, he stopped with no questions asked. That was respect. Super sexy respect. He may be my new book boyfriend.

I felt like these books represented the shift in expectations within the community of romance readers. Book 2 was published in 2010.

After looking into this I checked on another author  I like (I had done much the same thing as I went through all of her romantic suspense and then backtracked into her historical series). All her current books have respectful relationships with give and take instead of just taking. However, her historical novels meet the standard of the alpha male. When did this change? 2009.

I did not start this blog post as a treatise on the evolution of romance. I wanted to point out the changing values when it comes to a woman's sexuality. Romance mirrors the reader's romantic fantasies and is a reasonable way to look at how generations of readers view their own role in sexual interactions. The changing dynamic of seduction in romantic fiction tells me that readers respond to consensual interactions. The beta-man used to be the alpha's side-kick, but now he's the more desirable partner. He listens.

All of the romantic heroes I write would have, 20 years ago, been considered the beta side-kick to a more dominant alpha. I write about a couple finding each other. She is not his property. He does not belong to her... they belong together. You cannot get that partnership without equality and there can be no equality without consent in the relationship. That said, I just wrote a scene where he tells her to wait, that he's not ready... and I vacillated on whether or not she would listen or power through, seducing him. OF COURSE she waited. She listened. They couldn't be equals if she didn't. No double standards.

Have you noticed a change in the way relationships are written in romantic fiction? What do you think spurred this change? I am interested in your answers.



Note: I do not "cancel" authors who do not meet my ethical standards. If I don't want to read them, I don't. Easy. Standards have changed over the years. The first book I mentioned  that had the alpha-male, I know that to be a product of the system and the era. Had I read it when it was first published, I may not have even noticed the problem. I did not mention author names because I do not want to contribute to any do-not-read lists. They are good authors who continue to produce good books. When I read scenes in older books, I may think to myself that it wouldn't be published today... but neither would many books and movies we think of as classics.

Saturday, September 7, 2019

A Journey Through My Mess

I woke up this morning inspired to write. I knew my direction but I also felt like I needed to find the notes I took at a session at the 2018 Romance Writers of America convention in Denver. I could not remember the name of the speaker, but it was about writing for your id. It was a great session and gave me permission not to try so hard to break out of the aspects of romance I enjoyed but worried were cliche. I shouldn't be different for the sake of being different. If it feels right to me, it will feel right to my readers.

The problem I have is that I have loads of spiral note books and I use them for all sorts of things. Which one I write in depends on which one I grab when I pack my bag. I do dress sketches for Irish dancing. I take notes on staff meetings. I write outlines and scenes for whatever is in my head that day, no matter what actual project I'm supposed to be writing. It's a mess. Most of the notebooks are half-full but not in any sort of sequential order. Some of them include ten pages at the back. Usually the very act of writing it down means I'll remember and then type it out later, but I don't do this with notes from events.

As I looked through my notes I found such stand alone, with no context at all, statements as:

  • 200+ years of rape.
  • Bags of seed save the day.
  • "I trust you" is the highest honor you can give someone.
  • Boob situation/solution?

I found World of Warcraft fan fiction that I'd forgotten about interspersed with teaching notes I never followed up on. The collection of notebooks went back to 2012 and one of the pages includes my attempt to turn the Batman image into Celtic knot work. I found pieces of a chapter based on the characters from Shakespeare and became inspired to work on the that project (something shelved four years ago so I could finish the manuscripts that needed it) then found notes for my actual work in progress that inspired this search through my notebooks in the first place. Thank goodness that got me back on track.

I did what I should have done in the first place and shoved all the book back onto my bookshelf to go through another time when I wasn't in the I NEED TO WRITE NOW mood. But first I took a picture.

The crazy thing is that I know there are more somewhere.

I did a search online after all of the fruitless digging through spiral notebooks and found the answers to all my questions -- but this puts a damper on the sense of urgency I had while looking through years of randomness. The speaker was author Dr. Jennifer Barnes. This post from Eight Ladies Writing summed it up well and gave me the basic list I was looking for. The blog post author, Jilly Wood, wrote that, "Stories or scenes depicting sex, touch, beauty, wealth, power, competition and danger push our pleasure buttons." Wonderful. Question answered. My journey through years of random notes/writing only served to let me know I needed to be more organized.

Sunday, February 18, 2018

Courtly Scandals, Book Two of Courtly Love


Courtly Scandals, book two of Courtly Love, is due to release on March 19th, 2018. It's an Elizabethan historical romance set in the same world I built in Courtly Pleasures. Though it's in the same series, it is a stand-alone story. In Courtly Pleasures we met Mary and she decided to stay behind with court for Christmas. On the first night of Christmas Mary meets Charles, a Yeoman of the Queen's Guard and a true gentleman in character if not in title. Courtly Scandals is their story.


Circumstances surrounding them throw up ridiculous obstacles, one right after the other, but their biggest internal conflict is that both Charles and Mary are givers. They think about other's needs first. They're just too nice. Neither of them are alpha personalities and both would be really annoying to go out to dinner with. It might go something like this:

Charles: Where do you want to eat?
Mary: Oh, I'm happy with anything. Where do you want to eat?
Charles: I want you to be happy. I'm happy if you're happy. What are you in the mood for?
Mary: I'm happy just being with you. What would you like?
Charles: I really have no preference. I know you like that Italian place. Do you want to go there? Or you were talking about cheesecake yesterday, so if you would prefer we could go to Cheesecake Factory. Or Red Lobster has those rolls you like. It's up to you.
Mary: We can go there if you want to. I do like cheesecake. I love that you remembered that. Do you want cheesecake?
Me: For the love of God, choose already!
Them: *look at me, conciliatory*
Mary: I hope you aren't upset, Erin. What do you want for dinner?

Thankfully, through both Mary and Charles's growth (as individuals and as a couple) they get to a point where they can acknowledge what they want. It's not easy for either of them, but if they want happiness, they have to acknowledge their needs and that they deserve it.

Courtly Scandals has a damsel in distress trope, but the truth is they are both broken and rescue each other.

Do you have a favorite romance trope? If so, how do you feel when a writer takes a beloved trope and turns it inside out?
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