Resubmitting... Maybe? Advice Needed.

Every single project I have completed has ended up with me hacking the first two to three chapters off it. Why? Because I'm the queen of slow starts and back story. I can't seem to help myself. It's sad really.

When I chopped the first two chapters off of Karma, it wasn't enough. It still was too slow. I edited the bejeebers out of it, getting to the action ASAP. It wasn't until months later and a slew of non-responsive agents that I actually reread it with fresh eyes and realized I'd cut the soul out of the story.

One rejection said the story lacked balance. I didn't know what the agent meant until I read it again. Boom, there's action. It's hot, it's creepy... but it doesn't pull you into the story because there is no hint at who the characters are. It was painful to realize, but easier to fix than I'd hoped.

The question is should I resubmit? If the agents who gave me no responses read at all, it was only the first thirty pages. The rest of the book unfolded organically and, I'm happy to say, I'm still really proud of my work. They requested it int he first place, so they saw something in it. The lack of a "no thank you" isn't a de facto rejection, so it wouldn't necessarily be pushy or unprofessional of me to try again. Would it? I have no idea. I don't want to come across as too desperate -- but if the shoe fits...

Help me out, people. Your expert advice is appreciated.

Dropping the Ball

Happy 2014 to everyone. I actually stayed up until midnight to ring in the New Year. I did not feel the least excited until my daughters, ages 9 and 7 1/2, tackled me with hugs, eyes sparkling, full of joy and hope for the new year. Seriously, nothing is as inspiring as a child who believes in magic and their own potential.

Miley Cyrus performed Wrecking Ball at Times Square. I'm a little embarrassed to admit that I like the song. My kids, former fans of Hannah Montana, watched the performance with uncertainty, glancing at me for my reaction from time to time. My eldest pointed out that Miley wasn't as naked this time.  Poor, poor Miley. Talk about someone who has lost innocence and doesn't believe in magic. If she had faith in her own potential or trusted in her talent would she be exploiting herself like this? Very sad. I actually watched video a week or so ago just to see what the hype was about. I'm all for artistic expression and was ready to give the benefit of the doubt. I tried to see some of the directors vision, looking for the rubble and nudity as a metaphor for vulnerability, being stripped bare; but then the licking of the construction material grossed me out and the whole thing left me feeling like both Miley and the wrecking ball needed to be sanitized. I hope she comes out on the other side as a wiser adult, able to get past the embarrassment of her behavior without too much therapy.

Click here to view Wrecking Ball on YouTube.
Click here to view The Onion's slideshow. Much better.

I think I lost some of my faith in my talent and the value of perseverance over the last part of 2013. RWA 13 in Atlanta was not a screaming success for me. I can partly blame that on the fact I had just torn a tendon in my bicep (what I thought was a pinched nerve at the time) -- I wasn't nearly as social this year. My pitches went well, but yielded nothing. I came home, got some pain meds for my shoulder, and proceeded to do very little in the way of writing for the rest of the year. I dropped the ball.

This year is starting out with me blogging again (yay!) and writing forward. The good news is that pain med induced dreams can be very realistic and very weird. I have a couple new premises for future projects. I also spent a lot of time considering my current characters and really know them much better. I expect today's writing to be productive.

Wish me luck! Good luck to you and your endeavors. Hope to post again soon.

*Note: I was looking for some Wrecking Ball parodies to link here but they all grossed me out. Sorry.

A Story is Born

I was at my orthopedic surgeon's office for a post-op follow up. Out came the sutures, we both appreciated the minimal appearance the scar. I mentioned my kids were in the car watching Brave with their Daddy. My doctor hadn't heard of the movie and I recommended it, saying it's the first Disney princess movie where falling in love with a charming prince isn't the solution to the problem. I then commented that it was funny that it appealed for that reason since I wrote romance.

My doctor cocked a lightly penciled brow and told me to write one for her: early forties, never married, two big dogs. Bamm! My writerly instincts popped into gear, but instead of thinking about firemen and log cabins, I immediately jumped to the internal stakes for the main character and started brainstorming obstacles. As a writer, this makes absolute sense. As a woman pseudo-joking about lack of romance, her stoned (pain-killers, prescribed and used appropriately) patient spewing possible character flaws (especially since I don't really know her at all, even though she's technically been more intimate with me than anyone else) probably didn't sit well.

I may actually write a little flash fiction for her just for fun and give her the choice between the fireman, the scientist, the childhood sweetheart, etc... Maybe make it a choose your own adventure. Or maybe I'll introduce her to my brother, although I don't know if that would be helping at all. Who knows? She deserves some sort of apology for me spit-balling about the heroine having to overcome control freak tendencies.

I hope I don't need another surgery. :)

This is for you, Doc!

Viewing Your Own Work Objectively

It isn't possible. There. Done. Shortest blog post ever.

Nah, I was just kidding. My point has been made but I'm still going to babble. And, before I begin, let me explain that I am on pain killers for shoulder surgery. Be warned. I am not bi-polar but I play one on TV.

Okay, on point: Objectivity = impossible.  While I'm writing and excited, the book is the best book ever written. I am a GOD!  And then revisions of the first draft begin and I should not be allowed to live, let alone write. When everything is done and I have a clean, finished manuscript I, yet again, become awesome. At this point I usually don't look at it again and move on to the next project.

From time to time I've unearthed one of my previous works for a submission or competition or such. These times are iffy. I could be far enough removed from it to find the cadence of my writing unfamiliar and be pleasantly surprised by a book that (by that point, it's probably been rejected a few times) is obviously terrible. Or maybe it was so close to my heart that it hurts to even read it with the knowledge that it will remain under my bed. I've been through the gamut of reactions with my courtly books.

Possessing Karma was going to be my break out novel. It was edgy, different, super sexy, a little scary... it merged my love of history with my total fear of ghosts and came out awesome. Or at least I thought it was awesome until yesterday when I decided to do a quick once over for Golden Heart.

Things I remember including as part of my voice and my character's deep pov are not there. I must have cut them in favor of brevity or something. Philippe's a nice guy, maybe too nice. Karma's OCD because I say she is, but I don't show it. Damn. I don't know what I did in the final edit, but my work feels soulless and choppy. No wonder it didn't get the response I expected.

I think I may have to set aside Touched in favor of breathing life back into Karma. Either that or I'll read it again tomorrow and be awed by my brilliance.

Trending Now #youaretoolate

You’re already too late to join in the success of the current big thing. Sorry, but that’s how it is. Once you become aware of the current trends, they’re already on the way out. The only hope you have is to somehow be the next trend.  The problem here is that if you aren’t a current trend, you are currently unsellable. If time traveling cowboys aren’t already flying off the shelves, then your time traveling cowboy book is not representable. However, if you have written something based on the hot topic de jour, agents may want it, but by the time it’s on the shelves, readers are bored.

Maybe this is a jaded opinion (no maybe about it, it is). It makes a lot of sense that an agent wouldn’t want something that they don’t foresee making them a profit. I don’t resent this at all – it’s business.  Besides, if the agent is making money, that means the authors are making money and that seems win-win to me. The problem is that the next big thing has to come from somewhere. A book has to actually become published that is outside the proscribed mold in order for readers to make it a phenomenon. This implies that, from time to time, agents and editors take the risk of working outside the box (eitherr that or the author self-publishes successfully and all the agents who told them there was no spot on the bookshelf for them start kicking themselves).

I have to believe that if I write a good book, even if it isn’t trending now, it is worthy of attention. There are readers out there. I have to believe this to keep writing.

I admit that after three unsellable Tudor era romances I jumped ship and wrote a paranormal. Paranormals are hot, right? I had a good story to tell and didn’t feel like I was betraying my historical roots. I looked at trends and saw vampire/shifter market saturation and avoided it. Still, my paranormal wasn’t the right type of paranormal. Looking at trends now, it seems paranormal series is the hot thing. The same protagonists from book to book (Angie Fox, Karen M. Moning, Darynda Jones.) Yes, I very much enjoy these authors, but I also like my stories to end (As much as I love Sylvia Day, I may not read the fourth Crossfire book simply out of a fit of pique that the third book teased me into thinking the story was coming to a conclusion.)  Of course, even if I could bring myself to do this, I’d be too late to jump on this trend.

Do I try to predict the next trend and write to that? Or do I write the stories that demand to be written and trust that, eventually, they will end up accidentally hitting the nail on the head. Who knows? Ultimately, I will just write on, trust my instincts, and let everything unfold how it will.

Do you let trends determine your writing?

Hope Springs Eternal

Nothing sparks hope like the positive response from an agent or publisher. Every time I’ve had a full manuscript requested has been golden. My writing is never better than when I feel like it’s going somewhere. I’ve had publisher responses telling me, a day after I sent the initial first three chapters, that they couldn’t put it down and to please send the full. During that time I’m a writing machine.

While waiting on my post-Romance Writers of America conference agent responses, hope held steady, petering only a little as we approach the 90 day deadline. No response is better than a bad response, right?

But what happens when hope is gone? A rejection is a sure way to kill my creative flow. Maybe my anti-depressants aren’t strong enough or I don’t get enough sunshine, but it really slays me. In fact, the generic ‘no thank you’ response is less painful than the agent that says I’m a good writer, they enjoyed my manuscript, but they can’t represent me at this time. What does that mean? What am I not doing right? Full of self doubt, it becomes impossible to write forward. I stop trusting my instincts after a really positive interaction with an industry profession doesn’t pan out. I don’t trust my writing when, obviously, readers don’t connect with it. Without knowing what I need to know different, my ability to produce it completely stymied.

It’s a shame that my sense of hope is pegged upon the response of others. I wish I could give myself my own gold star, but I must not have enough confidence. It’s upsetting and makes me wonder if I’m that singer auditioning for American Idol who sounds like a cow in labor, but thinks I’m all that.

The good news is that this too shall pass. I’ll get over myself because the story percolating in my head demands to be told. I’ll rediscover the joy of writing for the sake of writing and then the cycle will repeat. Who knows? Maybe some day I’ll have the right story and get it to the right reader.

I guess that means hope is not gone, not really. As for now, maybe today I’ll write in spite of the rejections. Or maybe I’ll give myself permission to be discouraged. Who knows? Tomorrow will be better.

Switching Genres

Greetings and salutations! It's been awhile since I've posted here because I've been too busy with real life kicking my butt. Only some minor complaints, really; I'm sure it was over due.

On a positive note, I have started writing again. Following the RWA conference this year, my arm was too messed up. Then the school year started. The bad news is I that I had hoped to have this project finished and clean for the Golden Heart and the likelihood of that happening is pretty much nil. I can't really complain though because the writing is going well. I'm really happy with the direction the characters are taking the story. They're so much more damaged than I originally thought and that makes their transformation so much more intense. So maybe I didn't force the writing whilst stoned on Vicodin -- I have to accept that it was meant to be.

This project, like the last, is a paranormal romance set in modern times. Yes, there is a lot of historical influence, but not enough to call it a historical romance by any stretch. When I wrote Karma and switched categories within the romance genres, I didn't consider that it made all my previous agent/publisher research void. After so many years of stalking agents that represented historical romance, after pouring through their client lists and reading their newest publications so I could know what they responded too and thought would sell, I started writing paranormal. I never even considered that this might mean a different group of agents.

 

Romance? Yes. Same sub-genre? No.

 

I am an idiot.

This summer, prior to RWA 2013, I made a nod at research for the agent/editor pitch sessions. RWA provided a table with checked boxes indicating what those agents/editors were looking for. Historical? Check. Paranormal? Check. This applied to formal pitches only. My stalking list of agents, though, had not been altered.

I write this as a word of warning. It's possible I ruined existing rapport I had with my dream agents by sending them stuff they do not represent. One of my rejections from 2012 came with the comment that she liked my writing and to send her the next thing I had that wasn't Tudor. Well, I did -- and I deviated so far that it wasn't even historical. I'm still crossing my fingers that I didn't burn that bridge. That particular agent is forwarding it to another agent in her group that does do paranormal. I breathed a big sigh of relief at that but still kicked myself.

Long story short: Do your research. If you change what you're writing, do your research again. Sounds like common sense, but then again I'm not often accused of that particular quality and it gets worse every year.