Thursday, May 16, 2013

Something You Can Trust

It seemed like all the events in the news this past year were aimed at rattling my faith in humanity (egocentric
much, Erin?). From citizens needing protection from the police, the Catholic Church more worried about its reputation than the congregation, teachers taking advantage of their position with students, even the highest offices in this country more interested in popularity than the good of America -- it all becomes too much sometimes. Who do you turn to when you can't trust anyone?

My easy escape is into a romance novel.  It's a place where men are honorable. Where love is important and family is everything. You are guaranteed laughter and tears. Happily ever after happens. Good is rewarded, bad is punished. Everything is right with the world. This is why I started reading romance in the first place. Real life has enough crap in it -- why read something that would make me feel even more hopelessness, helplessness?  Of course there is conflict in romances too, some more than others, but at the end everyone comes to their senses. Where does that happen in real life?

Even if people just read romance for the sex, at least they're reading about encounters where the physical is an expression of love. The couples cherish each other despite flaws or uncertainty. Sex is an extension of an emotional journey, not a drunk hook up at a bar or as result of low self esteem. It can be passionate and erotic, yes, but more than that: it's two people finding each other with a promise of forever.

You may say it's not realistic -- but the characters in a well written romance can be as real and inspiring as the most lauded literature, only I know when I finish the last page it will be with a smile and sense of emotional well-being. There's enough turmoil and sadness everywhere else. 

Monday, May 6, 2013

Writing Forward

One of my very first blog post was about putting perfectionism aside and writing. I have to make the conscious decision not to get mired down into worrying that my first draft is going to be perfect. If I did, I'd end up with one really overworked chapter after a year of work instead of a new book.

You'd think that it would be part of my process, ingrained, by book five, but no. I still have to slap myself into submission and force myself to write forward. The story won't happen if I don't make it happen. At this stage of the game,t his is my biggest hurdle.

I'll worry about my passive language and overused phrases on the next round.

What is your biggest obstacle to finishing a manuscript?

Friday, April 26, 2013

I Have Been Judged


Have you ever judged a writing contest? I have not, but I have been judged. Oh yes, judged and found lacking. I have also been judged and found brilliant. Oddly, it was the same manuscript in the same contest.

I like what I like. I buy books I know that I'm already predisposed to like. Recently I made a foray into horror/thriller and found that I do not like it. I like aspects, but the gore is over the top and doesn't further the story for me. If I was a horror reader by nature, maybe I'd find that gore necessary as much as sex is in romance (disclaimer: I think gore in horror and sex in romance has its place, but can be gratuitous -- this is my main objection).

What I find unfortunate about the judging process is that the judges of writing competitions are generally not allowed to judge within their own genre. I write historical. People who enjoy my stories enjoy historical settings and, generally, understand aspects about the history already. For a judge who does not read and enjoy historical to read and judge it seems out of place. The same goes, perhaps even more so, for paranormal. People who are just unable to suspend disbelief for the supernatural will not enjoy the reading experience if they're judging a paranormal manuscript. They're predisposed not to like it.

Because of this, one of the scores I pay most attention to is about the writing itself. You don't have to like the genre to recognize a well written work. Usually the scores on the quality of writing are consistent across the panel of judges.

This brings me to the reason for this blog. I just got my Golden Heart score sheets (RWA: thank you for the change, by the way. I love that it breaks it down.) In one book, I got scored a 9/10 and a 10/10 for the quality of writing. I also scored a 5/10. Huh? I understand stylistic differences or just not enjoying a writer's voice, but 5/10 makes me think I need a refresher course in sentence structure. How does one judge give something a perfect score, and the other fail it completely? It blew my mind. I don't know how to address it. My fragile self esteem makes me more likely to dismiss the high scores as a fluke rather than the low score. People have all sorts of opinions about story, character, etc... and I can allow for differences there, but if I just can't write paragraphs cohesively this is a huge problem.

Disclaimer: This is not a complaint, it's a reaction. I am very grateful for the judges who took the time to read my manuscript and give feedback.

I'm left with an unclear course of action (if any). Even more so, I'm left unsure about my own abilities. Don't worry; I'm not fishing for complements or in need of hugs. I'm fine -- I just need to step away for a moment and try to look at things objectively. In the mean time...



Sunday, April 21, 2013

Touched by the Past

Photo by Dimitri Vervitsiotis
I'm off and running with my new project. A lot more planning went into this than any other project. My Elizabethans were set in a period where I was already an annoying font of knowledge (not counting confirming dates of choreography and specifics about the 17th Earl of Oxford's inheritance.) My New Orleans story required some Google Earth and some research into Voodoo, but beyond that, I already had a healthy understanding of the pre-Civil war history of the city and recent experiences there in regard to the vibe of the culture.

Touched by the Past, while based on my childhood experiences on the woodland property of the hotel my family owned in Ireland, has required tons of research. From the native species of flora/fauna, tectonic activity and layers of sediment in coastal, South-West Ireland, limestone sink holes, and seasonal wild flower growth, I've buried myself in unexpected research. I thought I had this one in the bag, that my experiences would give me the knowledge base to write this story, but no, I had no prior knowledge about the stations of rank within the Garda, Ogham script, or the equivalent price of a pint of milk. When we lived there in the 80's we had it delivered in glass pints and had to scoop the cream off the top -- is it still like that? I entered into this project with a false sense of security. Reality was hard to swallow and frustrating; I was ready to be writing and ended up mired in research.

That said, I'm making good progress. Just for fun, here is my first 381 for your reading/critiquing enjoyment. I value any feedback you are willing to give.


Tendrils of blue electricity glowed and crackled, hovering over the misty earth. Reaching with fingers of light, it sought her out. Gillian watched, mesmerized, unsure if she should run away or give herself to the power one more time. Fear and excitement paralyzed her and all she could was watch as the living lightning snaked closer, a pulsing stream of incandescence, kinking and curling as it crawled.
All she had to do was show herself, take two steps into the open, and it would touch her, filling her with its earthy energy and memories, knowledge of things she had no right to know. It was tantalizing and, she shivered, scary. Really, really scary. Whenever it happened, she never knew if she would ever find herself again. Then that last time…
Gillian blinked in the early morning light, the memory of the old dream fading as reality settled in. No longer the thirteen year old girl hiding from some fantastical floating light, she knew better now. Experience of years, too many years, schooled her in the harsh realities of life. There was no magic in the forest and never had been; her dreams were based solely on the over-active imagination of a child.
The last time she’d stood here, holding her breath in anticipation at the lower mouth of the woods on the once paved carriage path of long dead aristocrats, she’d been a child in tears about leaving Ireland. Now, a thirty-five year old widow with a daughter in college, she didn’t feel any different. The wood before her was just as dark and ominous, and lush and beckoning, as it had been all those years ago.
Her Wellingtons squelched as she shifted within the sodden indents of the manicured lawn. She tucked a stray wisp of her blond hair back under the bandanna and straightened her gloves, ready to work. With a resolute nod, she stomped forward through the wet morning into the shade of the trees. She had nothing to fear here. She was an adult, experienced in forestry and ready to respect the biodiversity that lay before her. The forest would be her friend once more, if not on a magical plane, then on a basic, fundamental one.
She came to save it.

This is currently my desktop wallpaper. As I created it, I found myself using more images of landscape than of people. It made me realize how the forest itself is a dominant character.

Saturday, March 23, 2013

Touching the Past

It's official. I'm working on my new project.

"But wait," you ask, "haven't you been working on that for a month or so?"

Yes. Sigh. I've been doing the research, laying out my characters, and procrastinating about really starting. Sure, I wrote the first chapter --but I wrote this with the understanding that I probably would end up throwing it out when I got halfway through the project because feedback would finally convince me that I hadn't started the story where the story starts (because I never learn).

What makes me serious now? Well, I know this is silly, but I have a Pandora station all set as my writing soundtrack. I also, finally, know what my male lead looks like. What else? I've finished the research that gives my entire reason for using Ireland as my setting validity, so now I can start applying the story. (Side note: I'm using Pinterest as a mode for collecting my data. It's very visual and much better than my Word.doc cut/paste of URLs.)

And I have! I'm only about 4k words into the manuscript, but the story has everything it needs to grow at this point.

On that note, I should get back to writing. Liam is walking Gillian home, but she really doesn't want him too -- or does she? (she does, but she wishes she didn't, just in case you wondered)


BTW: Touching the Past is a temporary title. I needed something. It had to be sexy/suggestive, but also touch on the mystical elements in the story. 

Thursday, March 14, 2013

Countdown to RWA 2013, Atlanta

As soon as I paid for the conference, I was all ready to go. You'd think I was about to embark on a luxury cruise or something by the way I'm looking forward to it. It's really not like me to WANT something like this. I mean, I'm socially awkward. I have to push myself to be outgoing. I can fake it, but the stress that comes a long with that is bad for my digestion. Still, I can hardly wait for July. It sounds like it's far away, but really, four months is nothing. Seriously, I feel like Hallowe'en just happened (I think I may have missed Christmas by blinking).

That said, it's not unreasonable for me to look at evening gowns for the awards ceremony, is it? Or buy a new purse that I don't plan to use until the trip? Maybe make a Pinterest board dedicated to online shopping for fabulous things ranging from formals to suits to tee-shirts that say creative/professional/edgy/mature-but-not-too-mature isn't taking it a step to far at all, but good planning.

Clothing, of course, isn't the only concern. Packaging (myself) matters, but I have to be able to deliver. Maybe now is a good time to start revising my one-page, proposals, etc... instead of the weeks before like last year. Last year did teach me that it was great to have my promotional pages, but that I didn't  need nearly as many as I brought. This year I'll have four completed novels, maybe five, ready to sell. This year I'll also have the experience from last year, so maybe be less spastic during pitch opportunities. Who knows?

Last year the conference was in Anaheim, which significantly cut down on cost for me. Atlanta is going to be pricey, but I consider the conference an investment in my career. Last year I felt like I had finally joined the professional community of writers, like it wasn't just a hobby. I didn't get a contract out of it, but the experience was wonderful and necessary for my growth.

This year I have a different product, a sexy paranormal, which means a potentially different agent and publisher pool from those I stalked over my Tudor historicals. I guess it's time to start my preparation.

Are you going to the conference?

Saturday, March 2, 2013

Recycled Post: You Know You Write Historical Romance When...

I just came across this post, originally aired 5/31/2011 and decided it deserved to be re-shared. I added some of the original reader commentary.


You Know You Write Historical Fiction When...

  1. You find yourself using "anon" in everyday conversation.*
  2. You have words like "bumroll" and "farthingale" added to your spell-check's dictionary.*
  3. You actually own a bumroll or farthingale.*
  4. You programed auto-correct to change all "qe" to "Queen Elizabeth." *
  5. You cannot stand perfectly good period movies because of the fabric choices.
  6. You have become more lax about food sitting out because, hey, five hundred years ago there was no refrigeration.
  7. You find yourself inserting interesting historical facts that have nothing to do with your story and feel like you are doing your readers a disservice when you delete the unrelated history lesson later.
  8. You cannot stand reading a perfectly good historical romance because of the fabric choices (and, in a disappointed rage, may or may not have written a strongly worded letter to the author about his/her responsibility to the reader to portray their era with accuracy).
  9. You understand why many authors do not touch on anything to do with hygiene.
  10. You think nothing is wrong with having a beer at breakfast.
Just in case you wondered what a bumroll was.
Feel free to expand upon this list.

Sidenote: This post could also be titled, "You Know You Take Renaissance Faire Too Seriously When..."

* I write Elizabethan historical romance. Please feel free to insert whatever era appropriate terminology to make this relevant to your writing.
end original post .....................................................................................................................
Thank you to Kathleen and Mary for adding the following points:

Kathleen said... I love #8! OK, how about these:

11.You make up all sorts of reasons about how your widowed heroine is actually a virgin.

12.You figure out plausible excuses to explain why your widowed heroine (who is not a virgin) might respond like a virgin in a love scene.

13.You suspend reality to make every virginal heroine's first time fabulous and multi-orgasmic.

Interestingly, I can only think of sexual examples. Hmmmmm.... should I be worried?

I think #9 needs this add-on: "Not only do you understand, you agree and ensure that your main characters take more baths during the course of your story than most people of their era took in their lifetimes.
mary said...
OK, how about this:

You know the years each swear word came into common use.

You insist on capitalizing "she" when it refers to the Queen.

You know more about the laws of the 16th century than the ones today.

Am I on the right track?
 And Laura added a comment about her genre, mystery.
Laura M. Campbell said...
It's funny how serious writers take their genre and craft. I'm a mystery writer and I'm doing research on serial killers and I like to point out their is a distinction between psychopath and sociopath. I also know a thing or two about finger prints and trace evidence. The things swirling around in my head could make for a frightening story. 
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